Number of photos on WoL: 100,000

Dear Week of Life members,
Not long ago we celebrated 50,000 photographs and now it is time to celebrate another significant milestone. We have reached the magical number of a 100,000 photographs. As curious as we are, we decided to search our system for the exact image that was uploaded as the 100,000th anniversary photo and when we finally found it, we were all stunned. Not only does the photograph look amazing at first sight, but it’s also as if fate played its role and forever inscribed the number combination of 1 and 0 into the picture. Yes, it was off by one zero, but nevertheless, it’s evident that it was meant to be.

So who is the lucky author that made all this possible thanks to his vision and the decision to take this image? It’s no other than Tomáš Šimek, who hasn’t been a member for long, but ever since he joined the cause of the project, he has been supplying us with quality weeks that perfectly document the story of his life.

Tomáš Šimek

Congratulations to Mr. Šimek with all our WoL heart!
And as the picture suggests itself, Week of Life keeps going and is here for you NONSTOP!
Have a nice start into the new week,

Your WoL team

Novaya Utka

Victoria Minyazova, Driver, Russia

Despite our technological advancement and the fact that people have been chasing success, money wealth altogether, there are still places in the world where time has practically stopped. People here live a life without stress, are close to each other and their lives calmly flow by without any real obstacles. Victoria Minyazova visited such a place, a village called Novaya Utka, where she tried to capture the local atmosphere and the lingering countryside lifestyle. The resulting images speak for themselves and take us on a journey into time that many of us have already forgotten, and some of us have never even experienced. (WoL)

“I closed my eyes and pointed blindly to some place on the map. It turned out to be Novaya Utka village.”

Every year I try to visit at least 2 villages or regional towns in order to document its vanishing rural way of life, because life in these remote places is gradually changing, slowly abandoning the countryside lifestyle. Some villages almost completely switched to the city lifestyle, people don’t farm anymore and rarely work on their vegetable gardens, even though the place where they live is rather far from the city. I prefer going there in autumn, when the nature is so rich and varied and the sky is just fabulous.

At the beginning, I was a bit confused what direction to take, east, north, west or south. I found an easy decision. I closed my eyes and pointed blindly to some place on the map. It turned out to be Novaya Utka village.
This village is quite big. It was founded in 1749 on the bank of the Utka river, which is the left feeder of the Chusovaya river. There, an iron-smelting and ironworks plant was built, called Utkinskiy state plant. The enterprise was funded by the government, but later in 1758 it was purchased by an entrepreneur Yaguzhinskiy, and in 1778 he sold the enterprise to Savva Yakovlev.
From then on, the plant together with the village had been called Utka Yakovleva.
After the revolution in the 20-s of the XXth century the place received a new name Novoutkinsk or Novaya Utka. Why Novaya (New)? Because there was one older plant by the Utka river, which was built much earlier than that one. In order not to confuse these two plants they were called after the surnames of their owners – Utka Demidova (or after the revolution Staroutkinsk, which is situated about 325 km upstream) and Utka Yakovleva (or Novoutkinsk after the revolution).

“Usually it is the older generations that stay in the village, but here, I saw a lot of young people as well as children.”

The day when I set off to the village was cloudy but with beautiful autumn sky and approaching the place it started raining which I didn’t expect at all. At first I began wondering how I can shoot without a raincoat and without a camera cover, but luckily it stopped raining when we reached our destination. It was the nearest town to the village, Pervouralsk, which turned out to be deserted and the road which according to our map should have lead to the village was closed. Once again, we were lost. After a while we saw a local car and decided to follow it. The “road” was through the forest, which was basically just mud and tree roots with stones after the rain and our journey turned into somewhat of an off-road experience. Finally, we got out of the forest and asked locals for directions. The road we were shown ran through a beautiful coniferous forest.

After two hours we reached Novaya Utka village.
Making our way into the village, the first thing that struck our eyes was the construction of a church, that was being done not only by builders but also nuns and the congregation. I think it is going to be a beautiful church. We left the car right next to the building area.

The air was clean and a mist lay above the fields as a result of the previous rain.
The locals were rather curios about our shooting. We expected it to be an unfriendly gesture but it turned out to be the opposite. Usually it is the older generations that stay in the village, but here, I saw a lot of young people as well as children, meaning the future of this village is quite promising.
The village is really a fabulous place with a wide twisting river and generous fields. The old buildings are gone, only the houses of Soviet time constitute the architecture of the place. Almost every homestead has cows, goats, chickens and cocks. Many of them freely walk around the village. The firewood, stored up for the winter, is in stacks. The village is big and really beautiful but we weren’t able to see it entirely. During autumn, it gets dark early, so we had to leave before nightfall.

It started drizzling but at that time, we were already in the car making a long journey back home, listening to music by The Beatles and Visotskiy.

Weeks of Victoria Minyazova

Playing with WoL

When Martin Rupert presented his portrayal of the letters WoL made from wrenches, a cup of coffee and a slider in his week, we immediately knew that others will try to come up with original ideas as well; and we were not mistaken. Your fantasies certainly have no boundaries and with every new addition, we were filled with joy, looking forward what you come up with next. In the end, we found more than 50 photos with this theme and we show them to you here in all their beauty. You not only put together the letters of WoL, but you wrote them in various places, whenever you thought about the project during the day. And from what we see, you put a lot of time and effort into it. You can take a look at who did what and how much you played with it in today’s photo topic.

Martin Rupert, Enterpreneur, Czech Republic

Šárka Lisníková, Cook, Czech Republic

Jan Nožička, Photographer, Czech Republic

Lukáš Veselý, None, Czech Republic

Zdeněk Dvořák, Special education needs teacher, Czech Republic

Antonín Novotný, IT, Czech Republic

Miroslav Dušánek, Toolmaker, Czech Republic

Karolina Koštialová, Student, Czech Republic

Juraj Sucharda, Businessperson, Slovakia

Šárka Lisníková, Cook, Czech Republic

Petr Pink, Waiter, Czech Republic

Jan Nožička, Photographer, Czech Republic

Mirek Zelenka, Worker, Czech Republic

Zdeněk Dvořák, Special education needs teacher, Czech Republic

Kamil Kašpárek, Purchaser, Czech Republic

Lucie Lisníková, Student, Czech Republic

Honza Belej, IT, Czech Republic

Emílie Mrazíková, Retired, Czech Republic

Šárka Lisníková, Cook, Czech Republic

Adéla Bohadlová,Student, Czech Republic

Adolf Zika, Photographer, Czech Republic

Jan Nožička, Photographer, Czech Republic

Vladimír Caletka, Worker, Czech Republic

Martina Watzková, Student, Czech Republic

Lubomír Budný, Student, Czech Republic

Miroslav Dušánek, Toolmaker, Czech Republic

Šárka Lisníková, Cook, Czech Republic

Jana Jirušová, Parental leave, Czech Republic

David Selicha, Sailor, Czech Republic

Šárka Lisníková, Cook, Czech Republic

Jan Nožička, Photographer, Czech Republic

Zuzana Bobovníková, Photographer, Czech Republic

Jiří Hrdlička, Technician, Czech Republic

Karolina Koštialová, Student, Czech Republic

Monika Suchardová, Parental leave, Slovakia

Šárka Lisníková, Cook, Czech Republic

Honza Belej, IT, Czech Republic

Zdeněk Dvořák, Special education needs teacher, Czech Republic

Kamil Kašpárek, Purchaser, Czech Republic

Pavel Židek, Communication specialist, Czech Republic

Vladimír Škubal, Retired, Czech Republic

Jan Nožička, Photographer, Czech Republic

Lucie Lisníková, Student, Czech Republic

Antonín Novotný, IT, Czech Republic

Gabriela Grossmanová, Teacher, Czech Republic

Karolina Koštialová, Student, Czech Republic

Lubomír Budný, Student, Czech Republic

Jan Nožička, Photographer, Czech Republic

Zdeněk Dvořák, Special education needs teacher, Czech Republic

Šárka Lisníková, Cook, Czech Republic

Annual hog killing

Zdeněk Dvořák, Special education needs teacher, Czech Republic

When water freezes outside and the land is coated with snow, it is the right time for the annual hog killing. This dated Czech tradition is usually organized between November and March and it is such an event that many families rank its importance along Birthdays or Christmas Holidays. One of the families to hold such a tradition is the Prčík family, well known from the weeks of Zdeněk Dvořák. And due to the decline of this tradition, mainly because of financial reasons and lack of time, we now have a single opportunity to experience what goes on in the backyard of the Prčík family and enjoy the atmosphere of everything that is involved with this event. Before continuing further however, we would like to warn you that the content of the photographs is not for individuals with a weak stomach. Additionally, we’d like to emphasize the fact that the time and care devoted to the animal as well as the process of killing the pig, which is by the way fast and almost painless, in this case favors the Czech local hog killings as opposed to the wholesale slaughter houses. Still, today, local hog killing is considered as animal torture and condemned by a wide spectrum of people around the world. (WoL)

Year by year, every summer, farmers venture out to buy a grown piglet. For several months, they cater for it day by day. They feed it leftovers from the kitchen, potatoes, turnip, moist bread, grouts and even goat milk. The piglet keeps growing and growing, gains an appetite for almost anything and its weight starts closing in on the 200 kg benchmark. As the weight grows, the winter season slowly approaches and with it the season of traditional hog killing. It is a village tradition, which is slowly fading away from most farms and estates. The main reason for it is the fact that it’s not worth it to take care of a single pig for almost half a year. People tend to buy their meet in shops these days. It’s a shame however, since annual hog killing belongs among the largest traditions of the countryside, where the whole family gets together and it is often considered as important as the Christmas holidays. This is the case of the Prčík family in the village of Slup located in the Znojmo region, where hog killing still prevails as an annual tradition.

The date of the event is planned several weeks ahead by the family who organizes it. Every year it is held on a Saturday at the end of November or beginning of December. It all depends on the family’s butcher, who above all is the reason for success. You can’t just kill and portion the pig; the butcher needs to prepare all the goodies such as blood sausages or collared pork.

The day before the hog killing, water needs to start boiling in a large caldron. The place where the hog killing happens, usually a yard of the estate, is thoroughly cleaned by then and all the necessities such as a hand barrow for the pig are prepared. Tables are cleaned, wood for heating the fire under the caldron is prepared in a sufficient amount and the pig is no longer fed anything else than water.

It’s Saturday morning, still dark outside and Mr. Prčík wakes up to heat up the kitchen and keep the fire going under the caldron outside. Someone has to go for several loaves of bread and some rolls that are later used in making the sausages. The dawn approaches and the family members are starting to get together. Cars are lining up and among them, the car of the butcher. The yard is filled with around 15 people from the ages of 3 to 85. It’s 8 o’clock and the butcher is ready. The last necessity before it all happens is a shot of plum brandy to keep the people warm. The moment is here, disliked by many from the village still after the years. It is time to get the pig from the barn.

It is calmly taken outside, where the last thing that awaits him is the fatal knock on the head. Pain and stress is minimal and it only lasts a few seconds, unlike the process in a slaughter house. Hence, the hard, dirty and demanding work begins. A fair amount of weight needs to be put on the pig, so it usually takes several men to smother the pig and it can often be dangerous. At that moment, the pig’s throat is cut and the blood is immediately being used for the blood soup and mixed with pre-prepared groats for blood sausages. Next, the pig is put onto the hand barrow, covered with rosin and scalded, in order to be able to rub off the pig’s bristles.

It’s a messy job, usually handled by several men, who are deep in the reeking smell of the rosin and the pig’s rubbed down skin. Then, the pig is hung and it’s time for the butcher to do what he knows best; he disembowels and portions the pig. While the butcher continues his work, it is time for another shot of plum brandy, mulled wine, a piece of cake or a bottle of Pilsner. The Pilsner Urquell beer is somewhat of an indication that it is a special day in the Prčík family. Mr. Prčík is not a frequent visitor of pubs and only on occasion buys beer from Pilsen, which really has become an important part of every significant day in the life of the Prčík family. From here on, work for the female part of the family begins in the kitchen. First, pork brain is fried and mixed with eggs and the first food of the hog killing can be served.

“…annual hog killing belongs among the largest traditions of the countryside, where the whole family gets together and it is often considered as important as the Christmas holidays.”

First small parts of roast meat are being prepared and the caldron, covered with clouds of steam, is full of boiled pork. The yard is finally filled with a tasty smell. At this moment, the hog killing becomes more of a form of entertainment for most, since most of the hard work is done. However, it is necessary to keep watching the boiled pork or start preparing skin fat for frying. So, even though it’s time to have fun, there is still work to be done. Once the butcher portions the meat, intestines are immediately cleaned and used to make various sausages. The more experienced start to prepare skewers. The yard is slowly emptied and everyone moves to the adjacent porch where the preparations of the food are finished.

“You suddenly feel the urge to take a slice of bread, some pickles, put salt on the fried skin fat and enjoy the taste.”

The work is distributed by the butcher and so the stirring, seasoning and the rest of the hog killing alchemy is in motion, resulting in the best collared pork, sausages, blood sausages and so on. The time passes by and it’s almost time for a second bottle of the plum brandy. Everyone’s hands are greasy and the only thing you can smell in the air is meat. People are having fun and feel at ease. One of the last things to do is to finish up with the sausages and leave them to cool off. You need to be extra careful though and keep out cats and other animals that could spoil the day. If it’s not too late in the day, it is the right time to fry the skin fat. A smaller caldron is filled with the fat and left to fry in its own grease. It soon reaches the correct golden color and rest of the sizzling fat is taken out. You suddenly feel the urge to take a slice of bread, some pickles, put salt on the fried skin fat and enjoy the taste. Even though your intake of fats is long over the daily limit, you just simply cannot resist.

Darkness covers the event and work is done for the day. Much work is left for the next day. The meat needs to be smoked, portioned for other forms of cooking and the rest has to deepfreeze; and of course, we cannot forget about cleaning the yard and all the other necessities. And yes, it all needs to be done on a Sunday. At dusk, everyone who contributed in one way or the other gets a small taste of what was made to take with them and slowly departs for their home. And that is how it goes at the Prčík’s each year! A pig named Vašek recently reached nearly 200kg of weight and so the day when the whole family gets together once again happened.

Weeks of Zdeněk Dvořák

Art Basel Miami Beach

Tomas Loewy, Fotograf, Florida

Tomas Loewy opět přichází s reportáží z nevšední události, kterou je Art Basel Miami Beach. Ani zde se neubráníte dojmu, že obyvatelé naší planety mají občas naprosto šílené nápady. V každém případě je však důležité zdůraznit, že Art Basel Miami Beach je společenská událost, jejímž tématem je umění, kterému se, jak v následující reportáži zjistíte, hranice nekladou. Přejeme vám hodně zábavy a inspirace! (WoL)

„…nejvýznamnější současná umělecká výstava ve Spojených státech…”

Art Basel Miami Beach je nejvýznamnější současnou uměleckou výstavou ve Spojených státech, která se každoročně pořádá v prosinci v Miami na Floridě. Jedná se o odnož události Art Basel ve Švýcarsku, která je nejprestižnější uměleckou show na světě. S postupem času popularita a velikost Art Basel Miami Beach vzrůstá a pomalu začíná překonávat původní Art Basel.

„…zahrnuje všemožné druhy parties a setkání lidí, jejichž společným zájmem je umění.”

Nejrenomovanější galerie a muzea v Miami vystavují práce od více než 2000 umělců, kteří jsou vybráni z předních uměleckých galerií ze všech koutů světa. Tato událost také představuje nové a trendové umělce a umělecké obchodníky, což umožňuje divákům objevit novější galerie, alternativní umění, veřejné umělecké projekty a neokoukané tváře současného umění.

„…více než 2000 umělců…”

„…ze všech koutů světa.”

Nezaměňujte však tuto společenskou událost za některou z velkých uměleckých výstav v Miami. Tahle totiž zahrnuje všemožné druhy parties a setkání lidí, jejichž společným zájmem je umění. Představuje se zde film, hudba, architektura a design. Jedná se o kulturní a společenskou událost roku, kde se umělci setkávají se sběrateli a uměleckými obchodníky a kde můžete narazit na takové celebrity, jakými jsou Sylvestr Stallone, Brad Pitt, Calvin Klein, Stephen Dorff, John McEnroe, Jane Holzer, Naomi Campbell a mnoho dalších.

Týdny Tomase Loewyho

WoL Magazine: 3rd issue out now

We are proud to introduce the 3rd issue of Week of Life Magazine, primarily created to spread the idea of WoL across the whole world in as many ways possible. The largest contribution to the Magazine is by all means the connection with Zinio.com, the largest player on the international market in its field. We believe that individuals who have not yet come across WoL will find the idea interesting and we hope to see lives of new members from across the globe soon.

Admirer of sports photography Mila Štáfek

Mila Štáfek, Worker, Czech Republic

Should you wish to look at Mila Štáfek’s first week, you would have to browse through more than a thousand weeks. Mila is one of the members that joined the project in its very beginning, yet it seems as if it were yesterday when his week named ‘cycle’ arrived in the editor’s office. We were amazed how spontaneous and technically mastered his portrayal of his life was in the set of 63 photographs. And we were even more surprised when we found out that Mila is actually not a professional photographer. He then submitted 2 more weeks, both in black and white and in the same style that if they were left nameless, we would immediately realize it was Mila’s work. This interview brings you closer to a man with the soul of a skateboarder and the interaction between two of his greatest passions, sports and photography.

The time has come to find the 13th Week of Life Master. An unlucky number for some, but certainly a lucky one for Mila Štáfek, who was unanimously selected by the editor’s office to become the next Master. Why don’t you introduce yourself at first?

Besides the place of residence, date of birth and your profession, tell us more about yourself.First of all, I would like to thank you for the selection. I was delighted and have no problem with the number thirteen. Photography is very important to me and has become a part of my life. That is why I’m honored my work has been recognized and that I have been selected as a Week of Life Master. Once again, I want to thank for being chosen from such a selection of great photographers on WoL.
I live in the city of Chomutov with my wife and two children, Beáta and Šimon. Photography has influenced the lives of us all and I can say with confidence that I have full support from my entire family. Apart from photography, I work for a tire service owned by my family. Work, photography and kids consume so much time that I miss out on other things such as sort. It would be great if individual days had more hours.

You often show your family in your weeks. Being one of your main hobbies, what does your family think about photography and how did you get to it yourself?

They understand that it’s a part of me, I just have to know where the boundaries are. I can’t be wandering around landscapes, since my kids are starting to become these little devils after me so it isn’t easy on my wife. They are already snooping around my camera and my photography bag. I never studied any artistic school or even a photography course. A few years ago, my brother and I along with some friends wanted to capture some of our skate tricks and later, I documented some of our trips and events. In 2006, I got my first ever digital camera. It was a Konica Minolta and I replaced it only recently. I like artistic and sports photography, and on top of that, I frequently photograph children and weddings.

Your photographs are full of great images from skateboarding as well as other similar sports. Is it solely your interest that inspires you to photograph such sports, or is there a personal attachment?

I’m crazy about skateboarding and snowboarding. I’ve been riding both boards for about 10 years now and I can say that it has influenced my life a lot. I like photographing these sports and when it comes to obtaining a quality picture, I’m willing to do anything. I’d like for this photography to be more frequent.

Since you’re willing to sacrifice so much for a good picture, have you received any awards or acknowledgments for pictures from this field of interest, which is pretty much very limited in the Czech Republic?

Earlier this year, I entered 4 of my skateboarding photograph into the worldwide competition Red Bull Illume, where I reached the semifinals and ranked among the 25 best photographs in the Playground category. I even received a book containing 250 of the best photographs in the competition, including my own. That’s a great feeling.

You stated that apart from your family business, you photograph. Would you like to turn professional or is your current situation satisfactory?

I guess I like it as it is. Working for my parents has its pros and cons and when its low season, I’m rarely there. On the other hand, during high season, it consumes most of my time and I barely even think about photography. Being a professional photographer would only satisfy me providing I was able to photograph what I enjoy.

There are surely role models or photographers that inspire you. Please state a few names from the Czech as well as international pool of photographers.

There is a whole variety of incredible photographers and photographs. Concerning sports photography, I really like David Blažek, Martin Kozák, Fred Mortagne, and Blotto. The person who has helped me the most in my work was Vítek Ludvig.

You have entered three weeks in the Week of Life project and they are all black and white. Is there a specific reason? Do you for example photograph extreme sports in black and white as well or do you use color?

I like black and white and I think it suits my weeks. It’s probably a question of taste; a document can easily be in color, but I guess I’m fixated on black and white. I thought about documenting a week in color, but in order for that to happen, plenty of things would have to play up to such a decision. It’s mostly about the surroundings and my mood. As far as photos of extreme sports go, it’s divided in half. Some things are good in color and some aren’t. That is my rule. When you have two identical pictures, one in color and one in black and white, it immediately strikes you and one of them simply feels better.

You previously mentioned that you dealt with photography some time ago. That means you have experienced the analog era. Do you ever get the feeling you would like to go back to analog or has the digital world consumed you completely?

Yes, my beginnings were analog and it can’t be compared to today. Photographers had to think more and keep a cool head. Today, I don’t have to count how much film there is left and can experiment more. I think that the screenshots of the pictures I’ve taken on the display of the camera have moved me forward and I’m glad that technology advances so fast. We even had a dark room at home, but I must admit I wasn’t very good at it. I guess it takes a lot of practice. Analog is tempting, especially with large amount of noise, but it must wait for me a little longer.

Readers will be curios how you got acquainted with the Week of Life project and what went through your mind when you submitted your first week?

I found out about the project from my friend Zuza and immediately started the next day. I immediately thought it’s a great idea and jumped into it without hesitation. And you can see the turnout for yourself. I gained another habit and who knows when I get the impulse to photograph my fourth week. At the moment, I don’t have the sponsors Mr. Zika and Mr. Dvořák had to be able to photograph every day. It must be a tough task.

Humans are of inquisitive nature and thanks to the documented weeks, we can all take a peek into the lives of others. However, there is also a section comprising of celebrities or let’s say famous personalities. As far as this section goes, is there someone whose week you would like to see the most and why?

Everybody has the option to disclose as much information as he or she desires. Sometimes I am surprised how far people are willing to go and how much of their private like do they make public; it almost borders with exhibitionism. I am curios as well and look at all sorts of weeks that are interesting or when I find a great photo, I then look at the entire week. I am not sure regarding the celebrities. I would probably like to see the other side of the coin much more. I would probably prefer looking at sets from people who are in a bad social situation. These people have rough lives, unknown to many others. I think this idea would be unacceptable for a lot of people.

Weeks of Mila Štáfek

Momma

My mom was never too fond of being photographed. She was always hiding and resolutely opposed this type of documentation. When I looked through my photos, I realized that she really isn’t in a single picture. She might have been caught walking by or appeared somewhere in the back of the photo, but you could never be certain it was actually her. It’s almost unbelievable that even though I photograph basically everything,… important or not, I don’t have my mother in any of the photos.I browsed through the box with old family pictures. It only proved one thing – her ‘enjoyment’ of being photographed is rooted very deep. Intentionally or not, my uncle did succeed in getting one great picture. A little girl at the time, Alenka was captured washing the dishes with the guidance of her mother standing behind her. It was a simple neatly composed photograph. I was so touched by it, that I took it out and scanned it. I looked back and forth at my mom and the picture and it was as if she hasn’t changed a bit. Her hairstyle is the same and it was probably even of the same length. I decided to shoot this photograph again after 40 years, but was rather skeptical when I approached my mom with the idea. I was ready for her typical uncompromising refusal. I am not sure why, but she was so fascinated by the idea that she accepted. The kitchen is similar to what she was used to when she was a child, so no problems there. The only space that was left empty was after her mom, my grandma; a space that cannot be filled by any other person. I compensated for this by leaving the space behind empty, only filling it with the white tiles on the wall. As a result, I completely moved the ‘punctum’ of the photograph to a whole new level. She used to be here and there is no one that could replace her. It’s so cruel and yet so common.

mama

It’s the best photograph I’ve ever made. It’s not about composition or lighting. For me, this photograph is deep and highly emotional. It made me stop for a moment and think about all the important things in life. We cannot stop time, but we definitely shouldn’t keep wasting it with trivial matters.

Jan Skalican

Pilsner Urquell

Today’s photo topic is dedicated to the General partner of the Czech Week of Life Pilsner Urquell – the flagship of the Plzeňský prazdroj, a leading brewing company in Central Europe. We highly appreciate the support of all our partners, since the Week of Life project would never have been able to function without them. From your documented weeks we realized that you have a positive relation towards Pilsner Urquell, which is not that much of a surprise after all, since brewing and the consumption of beer is an integral part of the Czech society and culture. That is why we are honored to have such a respectable brand as Pilsner Urquell is as the General partner of WoL CZ, namely due to its reputation in the brewing field, with its lager belonging among the best. Take a look at all the forms and ways through which Pilsner Urquell has influenced your lives.

Václav Staněk, Design engineer, Czech Republic

Martin Škulina, Worker, Czech Republic

Mirek Zelenka, Worker, Czech Republic

Šárka Lisníková, Cooker, Czech Republic

Lenka Pužmanová, Graphic designer, Czech Republic

Martin Lisý, Communication specialist, Czech Republic

Stanislav Pokorný, Photographer, Czech Republic

Adam Holubovský, Student, Czech Republic

Terezie Biryukov, Student, Czech Republic

Jan Topinka, Lawyer, Czech Republic

David, Manager, Czech Republic

Jan Nožička, Photographer, Czech Republic

Alena, Unemployed, Czech Republic

Vladimír Škubal, Retired, Czech Republic

Zdeněk Dvořák, Special education needs teacher, Czech Republic

David Bareš, Technician, Czech Republic

Ivka Váchová, Parental leave, Czech Republic

Petr Kubečka, Manager, Czech Republic

kevin v. ton,Graphic designer, Czech Republic

Petr Pink, Waiter, Czech Republic

Marek Velechovský, Teacher, Czech Republic

Jan Topinka, Lawyer, Czech Republic

Stanislav Jermář, Consultant, Czech Republic

Václav Novotný, Programmer, Czech Republic

Helena Horáčková, Design engineer, Czech Republic

Veronika Landová, Student, Czech Republic

Jan Topinka, Lawyer, Czech Republic

Petr Benda, Student, Czech Republic

Zbyněk Budný, Student, Czech Republic

Jiří Hrdlička, Technician, Czech Republic

Markéta Dujková, Artist, Czech Republic

Jiří Heller, Photographer, Czech Republic

Karel Vaněk, Technician, Czech Republic

Marta Duchoslavová, Physiotherapist, Czech Republic

Martin Lukeš, Saleperson, Czech Republic

Martin Škulina, Worker, Czech Republic

Alena, Unemployed, Czech Republic

Zdeněk Dvořák, Special education needs teacher, Czech Republic

Lenka Pužmanová, Graphic designer, Czech Republic

Václav Staněk, Constructer, Czech Republic

Šárka Lisníková, Cooker, Czech Republic

Miroslav Houška, Account Manager, Czech Republic

Martin Martinovský, None, Czech Republic

Emil Emilovič Hančák, Saleperson, Czech Republic

Dana Cagaš, Saleperson, Czech Republic

Přemysl Čech, Student, Czech Republic

Jan Nožička, Photographer, Czech Republic

Lenka Pužmanová, Graphic designer, Czech Republic

Petr Pink, Waiter, Czech Republic

Zdeněk Dvořák, Special education needs teacher, Czech Republic

Terézie Ranná, Production manager, Czech Republic

Red tsunami

Photos: Juraj Sucharda, Businessperson, Slovakia

The news about a toxic sludge spill from the aluminum works in the city of Ajka in western Hungary traveled the world. The entire region suddenly turned red from the alkaline mud and the catastrophe, the largest ecological catastrophe in Hungary as the locals claim, has even taken several human lives. The villages affected the most are called Kolontár and Devecser. Thanks to Juraj Sucharda, we have the chance to visit the region once again and think about how ruthless we are towards our environment and how easy it if for normal peaceful lives to turn into pure desperation. We are not here to moralize, as everyone has the right to their opinion or perspective of this catastrophe. We would simply like to draw the attention to the fact that human actions can have devastating consequences and have been the major cause of natural disasters in recent times. Nature is a strong opponent for humans and will certainly not leave our actions go unpunished, the ecological catastrophe in Hungary included. (WoL)

On a calm Monday afternoon, residents of several Hungarian villages in the area around the city called Ajka were interrupted in their everyday activities due to a red toxic sludge leakage from the nearby aluminum works. Specifically, it is the waste that is created by the production of aluminum oxide – a raw material needed for producing aluminum. Visiting the affected villages a week after this ecologic catastrophe resembled a visit to the cinema to see a disaster movie. This time, it was no ‘virtual experience’ but an actual sight at the destructive red ‘layer’ of the earth. Empty buildings, wrecked cars, soldiers, the Red Cross, volunteers….. and people absently starring into the ‘red’ future. The moist and acrid smell affected the lungs and eyes and left dirt under everyone’s fingernails.

The sight at this catastrophe would mentally afflict even the toughest of individuals. The abandoned toys, fallen trees, broken windows, dead animals and red marks almost two meters up on buildings. The desperate attempts of people struggling to gather their belongings from their homes. The thought that they will never go back to their homes is devastating and most people covered their agony in the palms of their hands, standing tired and helpless. We reached one of the houses where an old lady tried to explain what happened with a broken voice, making sure we realize how much she has lost and the effort she put into building her ‘cozy’ home, all gone in a matter of seconds. On a nearby ledge, someone lit candles and in between, placed a ‘red’ cross. They have lost everything… except faith.

“The moist and acrid smell affected the lungs and eyes and left dirt under everyone’s fingernails.”

The residents moved around with mouth covers, rubber gloves and working boots. The soldiers in their alien-like gear were giving direct orders to keep panic at the minimum. Utter silence ruled over the area. There was no longer the need for words.

We stood in front of a house where everyone was trying to get rid of the red sludge piled in the front yard. A woman, owner of the house, starred at the yard in silence and started to realize that LIFE in her house as she knows it may cease to exist. The danger seemed to be gone, but people remained skeptical. They considered this catastrophe as the second Chernobyl. Considering that a large amount of red toxic waste escaped into the environment, the estimates of the leak were terrifying, calculated at roughly 50 tons of arsenic. The water samples in the village of Kolontar showed 0.25 milligrams per liter, a value 25x higher than the tolerance for drinking water.

It’s especially hard to talk about the victims and the wounded. There were over 120 injured and 4 dead. After such a catastrophe, one can only hope these numbers are final. It has no meaning to talk about ones that were affected mentally, since the number would be at least as high as the population of the area. The feelings left with the people not even directly affected are indescribable. The grief and fear of what could come in the future was evident from the eyes of all, involved or not.

“They have lost everything… except faith.”

On the parking lot, near to something that once was a park, soldiers with hoses in their hands were trying to wash off the ‘blood-colored’ stains from the clothes of their colleagues and the rescuers, as well as from the heavy machinery. The red world however cannot be washed off. Everything is now contaminated. Several buildings were taken down and life will not be back any time soon. The lost confidence in safety is now beyond recall.

The weather affected by global warming, caused by humans in many aspects, will keep haunting us year by year. Our lifestyle and our ‘achievements’ of the 21st century prove our guilt and hold us responsible for the climate changes and the condition our planet is in. What will we leave behind for our children to experience? What else will we go through ourselves? When will the next time bombs go off? When will the guilty be held responsible? And if they plead guilty, what good will that do? Not much. The only thing that will remain is the unavoidable emptiness…

Text: Monika Suchardová, Parental leave, Slovakia