The Circus

Zdeněk Dvořák, Special education needs teacher, Czech Republic

Acrobatic numbers causing heart beats to stop, wild animals doing drills our brains cannot comprehend and an ever-present clown acting as a little rascal to entertain the crowd. All this and more can be seen at a circus, a magical place that attracts children from all corners of the planet. Admirer of this craft or not, one cannot deny these ‘families of the circus’ one thing – they live nomadic lives full of hard work and a sense of duty, where the only gratitude they receive is applause and satisfied faces in the audience, though the faces are actually often unsatisfied and cruel in their judgment. Zdeněk Dvořák is one who has ventured out to investigate the life of the circus. He found himself in the best position to do so – he met the ringmaster of Circus Jo-Joo himself and prepared an invaluable report about these nomadic folk. (WoL)

In Ancient Rome, gladiator games were ranked amongst the biggest events of the time. The participants fought to the death in the Colosseum in order to please the public. For even more excitement, the gladiators were surrounded by lions or tigers. Centuries later, we find the gladiator in a whole different arena. An arena in the form of a circus tent. This gladiator however is not a slave, does not fight for his bare life, but is, as a matter of fact, the ringmaster of the Circus Jo-Joo. He entertains people as gladiators did, not with his fighting skills, but rather with his relationship with animals and beasts that would need but a single unguarded moment to strike the ringmaster dead. He is the living evidence that friendship between man and beast may truly exist.

„This gladiator however is not a slave, does not fight for his bare life, but is, as a matter of fact, the ringmaster of the Circus Jo-Joo.”

The circus as such has been a form of entertainment for hundreds of years. In days gone by, the circus folk traveled with their animals from town to town and village to village to entertain people. It experienced its peak of popularity in the 19th century. Circus tents became marquees, more and more exotic animals were included; the tremendous amount of hard work needed for running such a circus is beyond our imagination today. Before making full use of the railroad, horse carriages were the primary means of transportation. Journeys of 10 kilometers or more usually lasted for several days. Craftsmen and animal caretakers all used to be a part of the circus, something not so common today. A bond between the people of the circus and their job came into being a long time ago, spreading through families and generations. It is a craft that has been passed along from generation to generation and only the best have survived. Czech circus-owning families belonged among the world’s best, until the communist regime of the 1950s wrecked everything. Proud owners of marquee tents and animal quarters became ordinary citizens overnight, and if they wished to remain with the circus, they were left with the option of being mere employees. Many of these artists left the country, earning success and appreciation elsewhere.

1989 marked the beginning of the return of many of these families to their old lifestyle. Circuses were established, continuing a long lost and nearly forgotten tradition or simply, for newcomers to the trade, started from scratch. It’s almost unthinkable that there are around 30 circus families in the Czech Republic; in Slovakia, surprisingly, there is not a single one. It’s odd enough that so many circuses can all survive and profit. Unlike the case of Germany or France, circus craft is not regarded as art under the Ministry of Culture, meaning no donations from the government. Every ringmaster cannot be merely an ordinary carnie, he needs to be a good businessman and manager as well in order to be able to fill seats as this provides the primary portion of the circus’ income. The expenses of running a circus are rather high. You need to account for travel, rent, food for the animals, veterinary check-ups, energy bills, and equipment maintenance.

Not every circus is a model example for beginning entrepreneurs. Circus Jo-Joo belongs among the top three. Why? Passing by the marquee tent you would likely consider it a normal circus. The difference is the people around it. In 1990, the Joo family picked up on the tradition and history of the Circus Jadran, nationalized in 1952. And from the beginning, they succeeded in fulfilling the motto of ringmaster Jaromir Joo, “Without the circus, romance would be long gone.” And he certainly enjoys it to the fullest possible extent. He loves everything that breathes, especially of the feline variety. He plays with pumas, panthers, and tigers on a regular basis, and has been extremely successful in breeding an endangered species, the Siberian tiger. It’s nothing out of the ordinary to see him taking a walk with a tiger around the circus or cuddling with a panther right outside his trailer. “A lion is the king of the jungle by all means, but the tiger is nobility and pumas have the most intriguing eyes in the world,” states ringmaster Jaromir. Another reason for their success is the presence of foreign artists. In Czech circuses today, the norm is to have only family members as employees, where the ringmaster himself has several artistic shows or drills with tamed animals and during the break he sells hot dogs. No matter how much effort or time you put in, it can’t be done without a minimum number of people. An injury comes and part of the show is gone. Circus Jo-Joo is different. Snake lady, who has received an award at the Monte Carlo Circus Festival, comes from Mongolia, while some of the other artists are Bulgarian. In case of an emergency, they have a back-up so that viewers are never left unsatisfied.

„Without the circus, romance would be long gone.”

A circus is not all about beauty. Visitors can see the bright colors of the marquee, often located next to the residential areas in the outskirts of a city. Workers of the circus greet you with fancy uniforms as if you were standing next to a tsarist officer and invite you into a dark marquee tent, evoking feelings of expectation. A clown is selling balloons and you can smell popcorn and cotton candy. You take your seat and enjoy the atmosphere. You push away the everyday woes, savor the present and let your children take pictures with a tiger or ride a pony during the break. You return home full of excitement, knowing your kids had a great time. For the workers of the circus, it is all part of a huge effort and a long, stressful day. The show is merely the cherry on top of a cake of effort, sweat, and costs – everything needs to be set up in advance and then work exactly as planned. If the circus plans to change locations, the last show is usually on a Sunday afternoon. Then, all the chaos and turmoil begin. Confusion often reigns as the dismantling of the circus takes place. The system is not easy to follow and can be fully understood only after one experiences the process of building and dismantling it several times. Dealing with the animal cages and the animal’s waste alone can take well into the night. A few hours sleep is followed by an exhausting journey to a different location the next morning. Upon arrival, the process of hard-work begins again and sometimes lasts for tens of hours. This goes on week after week and only in the case of larger cities does a circus stay for several days.

At times, a circus connects different fates and destinies. It’s not only about the ringmaster and his dreams of romance that are fulfilled by his proud ownership of beautiful wild animals. It’s about fate and ordinary people that are connected with the circus. Why do they set out on long exhausting travels without their loved ones? The answer is simple. Destiny hasn’t been kind to them and the circus lets them forget; they wish to realize their dreams of traveling and getting to know new places.

People come and go, but the circus remains in its romantic sphere; it also extends human capabilities, encourages a passion for beauty, perfection, courage and aspiration. All this applies to the Jo-Joo Circus of the Joo family. And, as they state, a sell-out crowd is the best possible reward they can receive, telling them they have done their jobs well.

Weeks of Zdeněk Dvořák

Intimacy

We must admit that we were a little hesitant with this Photo topic, since it borders on our privacy. We are not puritans, however; we simply did not want for this section to end up as a selection of nude photos, completely irrelevant to the philosophy of the project. Nevertheless, your photographs have convinced us to implement this decision, and even though we may be treading on thin ice, we think that it is totally worth it. Intimate moments are a part of everyone’s life. What could be more intriguing than the kiss of a couple in love, the revealed parts of a body of the one we love, documented only with the best intentions, or the exposed parts of our own body to the extent we have personally chosen? There is no shame in nudity or expressing emotions. So, please approach this topic as a celebration of everything that is naturally close to us and get to know yourselves in a different, intimate way.

Jonathan Slee, Architect, United Kingdom

Martina Štolbová, Teacher, Czech Republic

Fomas, Graphic designer, Czech Republic

Lenka Pužmanová, Graphic designer,Czech Republic

Zdeněk Dvořák,Special education needs teacher, Czech Republic

Ionut Staicu, Photographer, Romania

Kamil Kašpárek, Purchaser, Czech Republic

Juraj Sucharda, Businessperson, Slovakia

Roman Doleček, Unemployed, Czech Republic

Jan Novotný, Engineer, Czech Republic

Stanislava Kopáčková, Model, Czech Republic

Kateřina Zatimnepovím, None, Czech Republic

Monika Suchardová, Parental leave, Slovakia

Zuzana Bobovníková, Photographer, Czech Republic

Hana Gela, Foreign languages instructor, Czech Republic

Jan Watzek, Student, Czech Republic

Aleksey Badanov, Electrician, Russia

Denni Le, Student, Czech Republic

Jan Povýšil, Swimmer, Czech Republic

Kamil Kašpárek, Purchaser, Czech Republic

Pavel Karas, Photographer, Czech Republic

Vladimir Yurkovic,Graphic designer, Slovakia

Martina Štolbová, Teacher, Czech Republic

Eva Staňková, Curator, Czech Republic

Juraj Sucharda, Businessperson, Slovakia

Vincent Sagart, Designer, Washington, D.C.

Honza Pavelka, Project co-ordinator, Czech Republic

Ivo Hausner, Photographer, Czech Republic

Petr Sýkora, Manager, Czech Republic

Karel Kuran,Manager, Belize

Lenka Pužmanová, Graphic designer, Czech Republic

mila Štáfek, Worker, Czech Republic

Roman Jaroš,Train operator, Czech Republic

Jan Watzek, Student, Czech Republic

Juraj Sucharda, Businessperson, Slovakia

Barbara Havlíková, Parental leave, Czech Republic

Kamil Kašpárek, Purchaser, Czech Republic

Viktoria Filipková, Student, Slovakia

Eldar Gubaydullin, Photographer, Russia

Helena Horáčková, Design engineer, Czech Republic

Monika Suchardová, Parental leave, Slovakia

 

 

Lubomír Budný, Student, Czech Republic

Martina Štolbová, Teacher, Czech Republic

Zdeněk Dvořák, Special education needs teacher, Czech Republic

Zuzana Bobovníková, Photographer, Czech Republic

Daria Rutskova, Interpreter, Russia

Jana Melišová, Graphic designer, Slovakia

Vera Lesenko, Retired, Russia

Michael Agel, Photographer, Germany

Alena Komarova, Student, Russia

Number of weeks on WoL: 1000

Dear members of WoL,

Not long ago have we celebrated together the amazing number of 50 000 photographs on the WoL website. Now it is time to celebrate yet again! We receive new weeks every day and the amount of sets is rising with incredible speed and only thanks to you we were able to break the magic number of a thousand weeks.

We hope that you will find the strength, effort and mainly enthusiasm to document your lives further and soon enough we will be here once again to celebrate 2000 weeks.

Thank you,
your WoL team

Laying of the first stone of a new Children’s Home

Dear Week of Life members,

We would like to bring your attention to the achievements of Jiří Pergl, founder of the foundation called One More Day for Children, who successfully overcame all of the administrative and financial obstacles during his last visit and with the help of his associates, officially laid the first stone of a new Children’s Home in the Doldol settlement in Kenya. This Children’s Home will provide care for children whose unfortunate fate not only took their parents away, but left them infected with the HIV virus, in many cases with the incurable disease of AIDS.

Základní kámen dětského domova

Jiří, we wish you good luck in your sublime plans and are glad that we can help and be part of this remarkable achievement.

A good day to you all from the WoL team.

Black and White photography is closer to my heart, admits Sergey Poteryaev

Poteryaev Sergey, Engineer, Russia

Russian speaking members of WoL have been a boon to the project recently. We have witnessed amazing sets and taken on several great authors, among whom one clearly stood out – the young Sergey Poteryaev. His first week showed us what kind of photographic talent we are dealing with and proved it further with three additional sets. His talents left us no choice but to interview him, go beneath the surface and discover more details not only about him as a person, but about the places that have influenced his photographic journey.

The WoL project continues to grow at a fast pace. So does the number of WoL Masters. When this section was launched, future Masters had only one or two photographed sets. Then, as the project expanded, the editor’s office turned its focus to photographers who grew alongside the project and advanced in their photographic abilities. Now the focus is upon you, since you have been chosen. You’ve documented two weeks so far, stunning the entire editor’s office with the 14 days. You come from Russia from the city of Ekaterinburg, experiencing a huge boom in the project. Can you tell us something about yourself and the place where you live?

My name is Sergey Poteryaev and I am 22 years old. I’ve been in photography for 2 years.

The documentary genre is my favorite and I am trying to make it more lively and interesting. Russia is a huge country, there are so many fascinating things that even 3 weeks of life would not be enough to see and learn all of them.

As I can guess, people who keep up with Week of Life wonder what life looks like in my country. From now on, I hope to satisfy your curiosity.

Most of the world knows Russia as a large and beautiful country, with famous cities like Moscow and St. Petersburg. Your city is slightly more to the east. How are Ekaterinburg and its surroundings exceptional and what could tourists look forward to?

Actually, that is the question that I’ve been asking myself recently – What distinguishes Ekaterinburg from the other cities of the world? Unfortunately, I can’t find the answer yet, but I want to hope that the reason I don’t perceive the exceptional features of my city simply because I am used to them.

Ekaterinburg can be called a business city. A tourist won’t find it difficult to get to any stress he or she needs or to any place of interest.

One thing I can tell for sure is if a tourist decides to see the city he will be welcomed everywhere with Russian traditional hospitality.

You have shown city life as well as the countryside in your weeks. These two worlds are very distinct, not only in photography. What lies closer to your heart – life in the countryside or in the city?

Life in the countryside is spiritually closer to me. Every summer I used to stay in that village with my granny, I can say I spent my childhood there. As for the city, it is crowded and rich in events, which is good in terms of photography, but harmony can be attained only in the countryside.

A photographer tends to be influenced by the environment like nobody else; I hope you can see it in my village photographs.

The first week you have shown us was in color. The second set was black and white. Was this some kind of a trial or was it on purpose? Do you prefer expressive and colorful photography or lean towards tones of grey with a focus on the action in the images?

I would say I am for the integrity of the whole picture. I decided from the start that just life as it is doesn’t match my interests, so I made my mind to set myself some certain goals which could draw the week together into a single chain. A black and white week was one of the trials.

Judging by my sets on WoL, one could come to a conclusion that I prefer photography in colour, but it is actually not like that. On the contrary, I believe black and white photography is closer to me due to its expressiveness and laconism. It is easier to show the gist of the process depicted.

You have already shared with us the reasons why people should visit Ekaterinburg. Now we’d like to know what country and culture you would most like to visit and photographically document?

Not long ago, I came back from Istanbul, that is the place I had been really eager to visit. Hope that WoL members will like the pictures I shot there. I would love to continue getting to know the rich Turkish culture; I think this country, like Russia, hasn’t been captured to the full extent. The next destination I want to see very much is Odessa (Ukraine). I am planning to visit in the winter and to shoot this resort town without tourists.

You are still young, perceiving the world in a different way than older generations. Russia has changed a lot as a country over the past 20 years. It is clearly evident in numerus sets from your colleagues. People can freely become entrepreneurs and I am sure there are a lot of freelance photographers on the market. Tell us about the options and possibilities a beginning photographer has in Russia – education in photography, starting a photography business or just an open world of digital photography for the masses?

Unfortunately, in Russia we don’t have much higher education in photography. There are 2-3 places where a young person, who is serious about photography, can go to study. A Russian photographer advances not owing to education, but despite its absence.

Mainly, you study by the process of communication and the exchange of experience with photographers who are like you.

The market for photo services is large the advertising businesses, wedding photography, the fashion industry. Documentary photography isn’t the way to earn a living in my country. Yet there are a lot of people interested in how Russia is. They want to see good shots about Russian life. Anyway, it is not all that bad, every year we can observe some very interesting documentary photographers.

Only rarely does a person earn a living with documentary photography, no matter where you are in the world. Nevertheless, people enjoy it and try to document life from their individual angle. Is there anyone, either from across the globe or in your local surroundings, you specifically look up to in the field of documentary photography?

It is more appropriate to speak about photography itself here, because I don’t know much about the lives of photographers I like. My preferences in photography have changed over the course of time. The first one I was impressed by was undoubtedly Henri Cartier-Bresson, and it doesn’t need to be explained why it was him. At the same time I loved works by Lee Friedlander, with his creating order out of chaos. Also I can recommend having a look at one Russian photographer, Vladimir Vyatkin. His works are really worth seeing.

Lately, I have been more and more appealed by photographers like Martin Parr and Jacob Aue Sobol. I like thein own, authentic world view and ability to depict some insignificant elements so inspiredly.

My own development I see in combining of Henri Cartier-Bresson’s succinctness of expression and the visual culture of contemporary photographers.

A few days back, the Week of Life editor’s office has expanded into Russia, Ekaterinburg specifically. You come from a large country with many contrasts in so many ways. How did you find out about the project and what has attracted you the most while getting acquainted with it?

I learned about the project from Sergei Rogozhkin and Oleg Tyagni- Ryadno. They suggested participating and I decided to shoot a week and after that one more, which eventually constituted a whole month of my life.

I liked having a chance to see different countries through the eyes of photographers. When you travel you are only a tourist, but WoL gives an opportunity to see other countries from within.

In a few years time, you will have documented various parts of your life, one piece in a huge mosaic created by thousands of people from across the planet. Do you ever wonder what people of future generations might think about your photographs in this project?

To my mind, a photographer must aim to show life in such a way that people of the future looking at his picture photographs can see what life was like, what people were fond of, how they spent their leisure. That is, a photographer sends a letter through his works to tell descendants about the time when he lived. WoL makes it possible to send this letter.

Weeks of Poteryaev Sergey

The Grin

On both sides of the ‘Legions’ bridge are two towers, originally used for toll collection in the early existence of the bridge. I can’t recall how many times I have passed through here over the past three years and how many times I had a camera with me. I guess it was the right constellation of stars (I’ve heard that luck favors the prepared) and I suddenly noticed a ‘face’.One could ask why this kind of vandalism exists and how and for what reasons did these ‘vandals’ destroy the fence and then carved the first, second and third hole in the protective fabric. At first, I noticed the ‘eyes’ and only when I developed the photographs (40×30) I noticed the ‘teeth’ and the ‘nose’. …Since the composition of the photo was awful, I wanted to take the picture all over again…however, the fabric has been replaced and I don’t intend to destroy something only for my own personal interest of acquiring a better shot. I will be waiting elsewhere for that ‘face’ to appear again.

Škleb

I can only add: ‘A photograph is the absolute Particular, the sovereign Contingency…. the Occasion, the Encounter, the Real, in its indefatigable expression…. A photograph is wholly ballasted by the contingency of which it is the weightless, transparent envelope…’ (Barthes, Camera Lucida: Reflections on Photography, pg. 13)

Lukáš Augustýn

Last Added: A week in the city of Přerov

Dear members of Week of Life,

You have surely noticed that today’s selection of sets in the Last Added section is a little different than usual. All of the added weeks have two characteristics in common – the same city and the same time period.

A member of Wol, Mrs. Zuzana Bobovníková, addressed us with an idea that she would like to document a week of the city of Přerov, along with several other photographers that live in the area. We have welcomed the idea with open hands as we have noticed that you enjoy documenting the area where you live and since the Week of Life goes by the phrase ‘Life on earth through the eyes of its inhabitants’, this is a perfect example that focuses on one place in particular – the city of Přerov.

Organizing such an event is never easy and we highly value the effort and dedication of the people that made it possible. Thanks to Zuzana Bobvníková, Dana Cagaš, Vladimír Caletka, David Bray and the WoL member Valerisanek, we now have the chance to look at the same week through the perspective of 5 different individuals and see their way of portraying the city, the locations they visit and how they spend their time each day.

Team WoL wishes you a pleasant tour into lives of the Přerov folk.

WoL Russia: Official launch

Dear members of Week of Life,

We are extremely pleased to inform you that on the 6th of September 2010, we have registered the company Week of Life Russia and today’s date marks another special occasion; we are officially launching the Russian version of the Week of Life project. Our editor’s office has welcomed 3 new members: Oleg Tyagni-Ryadno (Project Manger), Sergei Rogozhkin (Project Executive) and Tatiana Tebneva (Translator, Text Editor).

Thousands of kilometers between us are no obstacle and our cooperation has become a success. We highly value the contribution of our Russian members and at the same time, we are glad to share with others the chance to become acquainted with the lives of people living in Russia, such a large and diverse country.

We hope that in the near future, we will be able to cooperate with yet another country, so that we can monitor the common and ordinary, as well as unique and rare, days of its citizens.

Wishing you a great day from the entire WoL team!

Samsung EX1

The market is currently overflowing with high quality compact digital cameras. The better the news when a new model is introduced, having the characteristics and features that can shuffle the stable positions of cameras in this product segment. If you think you’ll find one of the leading brands in photography labeled on the body of this camera, you are mistaken – this camera is manufactured by the Korean Samsung.

When we’re at it, let’s stick with the Samsung brand for a moment. Despite being labeled as a cell phone and refrigerator manufacturer, Samsung is no rookie in the field of photography. It has been producing cameras since the 80s of last century, establishing deals of cooperation with renowned optics manufacturer Schneider-Kreuznach or the Porsche designer studio. Samsung had not missed out on the arrival of digital technology either, as you may have noticed on the Week of Life website – we have introduced some of these fascinating cameras in the past.

With its newest digital compact camera – model EX1 – Samsung has advanced to the ranks of the elite category, in which you can find the best digital compacts available on the market today. We have brought you reviews of the Canon PowerShot S90 or Canon PowerShot G11 , as well as the older Leicu D-Lux 4.

So here you have a slightly larger digital compact (for instance, the body is as wide as it is in the case of Olympus Pen E-PL1) in its basic design with dominating sharp edges. You can purchase Samsung EX1 in black or in dark silver with a titanium feel to it – see the tested piece. The body is metallic, or rather has a metallic ‘crust’ and the factory manufacturing is exemplary – all parts stay in alignment and the control buttons have a clear detent.

As a compact camera belonging to the highest class, the EX1 is equipped with a large quantity of control elements – a hot shoe for an external flash, a lens thread or an articulated display. The pride of this camera is by all means the ultra-wide lens Schneider-Kreuznach Varioplan 24–72 mm F1.8–2.4. Simply speaking, no other camera in the same class can match the lens speed of the Samsung EX1.


Samsung EX1 – in short
Resolution 10 Mpx
Sensor CCD 1/1,7″
Optics 24–72 mm F1.8–2.4
Video VGA (640 × 480 px)

Viewfinders are slowly becoming extinct when it comes to digital compacts, with large displays on the back of the cameras assuming their role. In the case of the EX1 model, Samsung went all out and used a 3” AMOLED display (you can find more about the display in the Samsungu NX1 review) with a high VGA resolution. On top of that, the display is articulated, a great feature allowing for photographs to be taken from almost any position.

Super features
High Quality Optics
Availability of RAW format
Articulated AMOLED display

In correlation with the display, the menu has everything a person could ask for. It’s very well graphically designed, supplemented with a simple animation, as well as transparent and logically arranged. The Fn. button offers quick access to the most important parameters.
As an advanced digital compact camera, the Samsung EX1 is equipped with various control buttons with direct access to functions. On the camera’s front is a mode dial embedded into the hand grip; the rear control dial is around the d-pad.

There are two control dials on top of the camera, including one for the conventional mode settings and the second for setting the Drive mode – single frame, continuous, self-timer, exposure bracketing.
The right rear side of the camera is of typical design; perhaps the only thing worth mentioning is the dedicated video-recording button, which is becoming an increasingly popular feature.

One of the features resembling the competing Leica D-Lux 4 (or Panasonic Lumix DMC-LX3) is the built-in pop-up flash, which needs to be activated manually with the switch at the top of the camera. The internal flash is weak (Guide number not specified), but can be used on many occasions in combination with the high brightness of the lens. Alternatively, in bad light conditions, users have the ability to attach an external flash on the hot shoe.

Screenshots of the menu of Samsung EX1

Overall evaluation

As far as the design and controls go, the Samsung EX1 is near flawless. The only thing that can be a little irritating for the user is the fact that the histogram disappears when setting exposure compensation. Apart from that, the camera is intuitive and easy to use. Regarding speed, frankly it is a little disappointing – the camera takes time to load when turned on and the same applies when saving images in the RAW format. Fortunately, it focuses quite well considering the average speed of cameras in its class.
Image quality can be regarded as excellent. The lens keeps the images smooth in its widest angle and defects such as color aberration are almost inexistent. Up to 800 ISO, noise is easily corrected, but be aware that the image quality will deteriorate with higher sensitivity values.

The biggest problem is the sensitivity of the lens in its widest angle when dealing with contre-jour light. The anti-reflective layers are most probably weak, meaning that any kind of backlight will cause problems and create an unwanted lens flare (loss of contrast) on the final image. Perhaps a lens hood would be helpful in this case, this accessory is however not included in the basic kit.

Common Price (at the time of this review being published): $369.00 (body only)

Basic Technical Data for Samsung EX1

Sensor

CCD 10 Mpx, 1/1.7″
10 Mpx (3 648 × 2 736 px)
Light sensitivity ISO 80 to 3 200

Optics

24–72 mm F1.8–2.4
Stabilized optics

Memory medium

SD/SDHC, 24 MB internal memory

Data formats

Image: JPEG, SRW
Video: MP4

Video

640 × 480 px, 30 or 15 fps
320 × 240 px, 30 or 15 fps
Mono sound

LCD

AMOLED
Screen size 3“
614 000 px

Power supply

Li-Ion battery

Dimensions and weight (body only)

6.1“× 2.56“× 1.81“inches (w × h × d)
11.8 oz. (incl. battery and memory card)